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Class B EVPs

Other Articles in this Series

Part 1EVP Classification: An Introduction

Part 2: Class C EVPs

Part 4: Class A EVPs

Part 5: AVP:  Audible Voice Phenomena

Coordinating Your First EVP Vigil

  

Class B EVPs, the "middle class" of Electronic Voice Phenomenon, often have the same identity crisis and credibility issues we associate with the social middle class:  some aspire to be A list-ers but are held back by their inherent native flaws; some are better than any other EVPs caught by the investigator, so they're assumed to be legends in the investigator's own mind.  Some are even victims of a profound lack of confidence and are cynically mislabeled "Class C."  And when I'm finished beating to death this extended metaphor, I'll get to my point:  Class B EVPs are slippery to identify.

 

The definition of Class B most often used by investigators is that they are audible but frequently difficult to hear without the use of headphones, and that fellow investigators will agree to disagree about them.  That doesn't inspire confidence, I know.  In fact, the uncertainly about so many Class B EVPs has raised many a debate as to whether or not another system for classification should be used.  For example, one proposed ratings system would use a scale of 1 to 5 to assess two main criteria separately, clarity and volume; these would combine into a decimal number, one of twenty-five possible EVP ratings, ranging from 1.1 (the very poorest) to 3.3 (average) to 5.5 (superlative).  While the ingenuity of the dedicated has inspired some creative solutions, the most accessible and common method for hobbyists remains the letter grade system, in all its primitive charm.  However, one very pragmatic method used to work around its ambiguity is to divide and categorize the middle ground even further, just as our third grade teachers did, and to add for a "plus" or "minus" when needed.  Some have criticized even this method as a failure of nerve to address the real faults that hold back an EVP from being Class A.  No doubt, the same psychological motivations that drive EVP analysts to over-indulge their Class C EVPs lead them to vacillate about Class B EVPs as well.  It's emotional for many of us, so I'm in no position to judge.  And it's humbling for all of us, for it reminds us just how imprecise our tools of assessment really are, despite how driven we feel to find precise and compelling evidence.

 

That being said, there's an awful lot of good to come out of the Class B EVP evidence, because more often than not it is compelling enough to merit further attempts at categorization, and even explanation.  When evidence is less obscured by noise and less clouded by doubt, researchers are more willing to dissect it and pose theories without getting caught up in the metaphysical wonder of it (as they do with Class As) or the technical blunder of it (as they do with Class Cs).  Furthermore, with their advantages, Class B EVPs can be used more reliably to corroborate eyewitness accounts and video evidence, which helps to construct a more compelling case for the paranormal activity.  Some of the factors that make for a Class B EVP are as follows:

 

Recognizable speech: When the gender, and even the general age, of the voice in question can be discerned, this works enormously in an EVP's favor because it can be connected to background information about the alleged haunt.  This doesn't automatically mean a positive identification of the voice is possible, but anything that brings the evidence closer to the facts of the case's background increases the odds that the EVP is a reliable piece of datum.  Beware, however, of not stereotyping or profiling voices too readily.  There are many similarities in pitch and tamber between the voice of a mature woman and an adolescent male, or between a young woman and a boy; likewise, some male voices are higher pitched than others.  Leave some room for diversity in your expectations.  Furthermore, consider language and dialect.  A common (and, in my opinion, lazy) mistake made in EVP analysis is to relegate anything that sounds like gibberish to "Native American language."  Firstly, there is no "Native American language"; there are many nations of indigenous people in this country, most of which had their own language and/or dialects.  Before sitting down to analyze the evidence, try to research which cultural attributes and eras might be relevant to a venue's background, and remain open to the expression of those attributes in the evidence.

 

Details: Just as speech is more recognizable in Class B EVPs, so too is the content of that speech, which is all about the details.  Unlike Class C EVPs that often communicate one-word responses of no particular importance, Class B EVPs tend to be actual communication.   They are more likely to be contextual:  directly responsive to an investigator's questions or actions.  Even something as simple as "Get out!" is impressive, so long as a general consensus can be reached that this is what the EVP is saying.  The details of speech in a Class B EVP are more persuasively relevant, in other words.  In the lesson on Class C EVPs, for example, if the white noise example titled "Tumbleweed" had sounded less like a random utterance and more like a direct response to our opening of an attic door from which insulation was falling (e.g., "Blows like tumbleweed"), it might have been more relevant and contextually detailed enough to be labeled "Class B."  It would have also discounted the notion that the eleven-year-old girl was responsible for it, since she would need to have been physically nearby to have understood the context.

 

Volume: We want nothing more than our presumed spirits to speak clearly into the mic.  If it were easy, however, Class A and B EVPs would not be so rare.  What causes Class C EVPs to lack the gravitas they might deserve is their inability to surpass other competing sounds in the environment, leaving too much chance for mistaken interpretation.  The volume of Class B EVPs takes out some of that risk because the investigator will have taken enough care to inventory those competing sounds while she's investigating, so that they can be ruled out later.  It doesn't always work out, especially since the environment inside the recording device or, more commonly, the microphone cannot be known and therefore cannot be catalogued during the investigation.  A single hair, brushing against the mic, will probably leave an acoustic signature; so too might a gust of wind or a fly alighting.  Inside the equipment, noises are being generated also; anything with internal moving parts can be a culprit:  springs can react to changes in air density and temperature; motors and fans can leave audio artifacts in the evidence; equipment housing contracts and expands.  Better pieces of sound equipment can lower the risk of this, but microphones are still apt to be affected by electromagnetic sources, radio waves, and so on.  As I've stated elsewhere, our sound equipment is designed to hear better than we can.  Don't be surprised by its refined abilities.  Celebrate them, but be wary of any potentially invisible acoustic sources that are not paranormal.

 

Layered voices and superimposed sounds: EVP specialists Debbie and Mark Constantino have devoted study to an entire category of EVP characterized by "layered" voices.  In their theory, a cross-chattering EVP is harnessing the vocal patterns, voice modulation, and intonation of one or more living people in the room so as to generate a spirit communique--kind of like cutting letters out of a newspaper to piece together a ransome note.  [PPI researchers are currently examining data that may discount this phenomenon as nothing more than an artifact of a digital mic.] The Constantinos have also identified a subgroup of superimposed EVP wherein spirit voices mimic the words of the investigator immediately after they are spoken (and sometimes even before they are spoken).  By nature, such evidence can never be better than a Class B EVP no matter how impressive or unusual it may sound.  And filtering does little to unknot the two or more voices.  Spectral analysis can probably verify that separate voices are present, but beyond that, it is clear that the paranormal voices are inextricably bound to the acoustic sources in the room, and that will always make for shifty and unreliable evidence.  One would think that capturing a clearly spoken EVP would be enough to evoke widespread support, but bad luck scuttles a good deal of evidence that might have been proof positive.  A more cynical way of thinking about EVP voices coinciding with other voices and sounds is that it's just a matter of bad timing.  Because we don't know if we're receiving answers to our questions in these situations, neither can we know that we are talking over those answers.  We know nothing conclusive about the so-called physics of EVP communication, so even my cautions should be taken with some skepticism.  However, there seems to be some lag time between questions and contextual replies, as though the sound were traveling over great distances or more slowly.  At times, it's reminiscent of a speakerphone:  you have to be careful not to shut down the other side of the conversation because you can't always hear the off-handed responses in time.  When both parties are talking at once, communication is lost to both.  In EVP recording, when "spirit" voices coincide with those of the living, it damages both the details and the recognizable features of the voice, thus adding more risk to the evidence.  Adhering to interrogation protocols that 1) allow for ample time between questions, and 2) dictate how other investigators should interrupt the interrogation when it is necessary, may help to reduce the risk of superimposed EVP . . . unless, of course, you want to capture this kind of EVP believing it is a phenomenon unto itself.

 

Once again, these common Class B features are not all inclusive, nor are the ones provided as black-and-white as I have described them.  In fact, the one universally true thing we can say about Class B EVPs is that there are a lot of grey areas in their identification.  However, the Class B EVP brings you closer to real paranormal sleuthing, which makes time codes and an organized plan for synchronicity indispensable.  Whether you plan to investigate in a team or go solo, recording the start time of your audio in adjusted GMT will later help you to cross-reference your audio with other recorded media and efficiently locate the time codes of your selected evidence.

 

Here are some examples to chew on.  (Headphones are recommended; copyright protection applies for all audio clips posted in this and other threads.)

 

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Recognizable Speech

 

Example 1

Find me!

In this audio clip, an anomalous voice, possibly a young female, seems to be inviting us to find her.  The sound quality has some issues early on in the clip, relegating this to a Class B anomaly, but the coincidence of the EVP occurring immediately before investigators hear a sudden noise gives this evidence even greater significance because it helps to build a case for a paranormal incident.  Furthermore, the voice is consistent with the claims made in the case by the renters.

 

Example 2

Friendly voice


In a military museum, the curator's late friend (a Civil War re-enactor) is said to haunt the museum benevolently, and even protectively.  This EVP is only a one-word response, which makes the potential for it to have been matrixed greater than if a first and last name had been used (which we did manage to procure from other EVP at this location).

 

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Layered Voices


Example 1

This is a ghost

This is one of the worst cases of crappy timing in my entire kit bag of EVP evidence.  In this off-handed conversation about computers, another investigator opens his briefcase at the same time an important EVP occurs.  You can hear the spring latch of his briefcase open, but if you listen several times, you'll also hear an anomalous male voice behind the mechanical noise that says, "This is a ghost."  I could have sold this one to Ripley's, darn it.

 

Example 2

Hiding in the shadows

Power from the darkness

These two EVP came from the same investigation and were recorded fewer than 90 seconds apart.  In the first example, the investigator asks a typical question during an EVP vigil, but the first part of his question sounds as though someone else is talking along with him.  In the second example, the phenomenon occurs again, in precisely the same way.


Given both examples are localized to the same investigation and setting, it's an intriguing example of what the Constantinos believe to be a spirit voice piggybacking on a corporeal voice.  Or, these same factors suggest that it's an artifact of my digital recording, having something to do with its translation of this particular investigator's voice too distant from the digital audio device to be interpreted accurately.  In any event, at least it's clear enough to hear, and even to discern it as a higher pitched voice than the male investigator's.

 

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Volume and Clarity


Example 1

Don't let us catch you alone 1 (unfiltered)

Don't let us catch you alone 2 (amplified)

This EVP perhaps could have leaned toward the "minus" end of the scale, because the sound quality is not quite up to snuff and because it's a whisper, and not acoustic speech.  Nonetheless, its final diagnosis is a solid Class B EVP:  without too much trouble our investigators were able to form a consensus about what it is saying.  And, once again, its details seem to corroborate the client's claims and the venue's background. However, the coincidence that it sounds exactly like the last name of the Curator, and is delivered in answer to the investigator's question, is too good to pass up.  Furthermore, the speech has a certain human character recognizable even in this single syllable utterance.  Even I want to get to know this guy.  That's a subjective call, to be sure, but we would consider this a Class B+ because, despite its risk, it significantly corroborates the claims of the case.

 

Example 2

His car is marked 1 (unfiltered)

His car is marked 2 (amplified)

In our investigation of a purportedly haunted theater, we captured a good many EVP that, by most standards, would be considered loud enough and clear enough to wow the skeptics--if loudness and clarity were all that they needed.  However, hanging over our excitement was the suspicion that radio and telephonic communication was playing a potentially significant factor.  We're eager to go back some day and test this theory, but in the meantime this audio clip illustrates why a good, loud EVP cannot necessarily be entered into the record as Class A:  simply put, it's too risky.

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As you can see, the common theme of these EVP samples is not mistaken identity, as it was with Class C, but with doubtful circumstances that, despite the quality of the recordings, hold back the evidence from assurances of it being paranormal.  Try to remain clear-sighted and honest about these factors:  get a second and third opinion other than your own.  Although it may seem frustrating at first that others don't agree completely with your interpretation of the evidence, it's important to know which aspects of the EVP fail to be generally convincing or fail to yield a general consensus.  When these two ingredients come together, you'll know it, and you'll have found your Class A EVP.

 

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